![]() Review dailies, edits, and timecode with your director or client for instant input, feedback or approval. IChat Theater integration takes this a step further by connecting the editor with anyone over a live video chat. It may seem like such a small thing, but these new color-coded representations of markers and tabs provide powerful content organization and allow for clear and focused communication of specific edits with colleagues and collaborators. A two-minute trailer can easily be tabbed in blue, and 60- and 30-second spots in orange and red. Consider producing a series of spots for a feature film. New colored tabs keep versions and alternate takes in plain sight. Markers even ripple automatically with changes in the Timeline-giving the first cut and the final cut equal searchability. Going over notes with your producer, special effects designer and sound mixer is now as simple as choosing a color. Tags can later be exported as a spreadsheet. All notes are searchable using "Find" (Command+F). Tagging a dialogue transcription to a clip makes finding key scenes or important lines easy. Notes and custom data are easily appended to clips as they play. Different colored markers can be used to identify everything from needed special-effects composites to ADR and Foley sound requirements. The addition of color-coded markers allows editors a simple means of locating and adding comments to content on the Timeline. This simple addition is one of several new features that allow for greater collaboration. A resizable Timecode window makes logging notes and going over edits with colleagues much easier. The Browser, Viewer, Canvas and Timeline are virtually identical to those found in Final Cut 6. If you've used previous versions of Final Cut Pro or even Final Cut Express, you'll be pleased to find the workspace of the latest version much the same. These updates have always been informed by the latest innovations in both Apple hardware and OS software deployment. With each subsequent release, the software has offered greater stability, reliability, and productivity in the ever changing moving-image space. In that time, the professional, nonlinear video application has seen many improvements and features added. ![]() What’s your view? Could you see yourself editing in Final Cut Pro on Vision Pro? Please share your thoughts in the comments.It's been more than 10 years since Apple brought its first version of Final Cut Pro to market. Once you’ve worked on it on the iPad, you have to complete the project there.Īll the same, it does sound like editing in Final Cut Pro on Vision Pro would be quite an experience! I’d love to try it, even though the iPad version hasn’t tempted me because I don’t want my projects to get trapped there. These include the fact that you have to copy the project into internal storage, rather than working on it from an external drive, which limits the size of projects you can work on.Īdditionally, because the iPad version of FCP supports only a subset of features, you can’t start work on the Mac, continue it on the iPad while mobile, then resume work on the Mac. If I’m right, it will likely carry over some or all of the biggest limitations of the iPad app. IMore suggests the amount of storage required for FCP projects points to the Mac theory, but it seems to me more likely that Apple has adapted the recently launched iPad version of Final Cut for headset… sorry, spatial computing use. ![]() He didn’t reveal whether this is using Vision Pro as an external monitor and input device for a Mac, or using a standalone visionOS version of Final Cut Pro. I would pay sooooo much more money than $3499 to be able to relive important moments and experiences later in life. We freaking finally get to edit minority report styles. One of them was being under water with a scuba diver who’s feeding sharks and I’ve done that and it felt soooo real being there again.Īnd editing in Final Cut Pro in AR will be available for launch. They showed me places around the world that I had been to and it felt like I was reliving memories. I’ve never experienced that sort of presence, feeling like I’m there in the scene. I just tried Apple Vision Pro and it’s gonna completely change filmmaking, storytelling and content creation. Haapoja, who has more than a million YouTube subscribers, said in a series of tweets that this will completely change filmmaking. Matti Haapoja, who had the chance to demo the headset at WWDC, says that it will allow editing using a mix of eye movements and gestures … A filmmaker says that Final Cut Pro on Vision Pro will be supported at launch – or rather, when the device goes on sale.
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